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In the Anime Grand Prix awards for the anime of , Cowboy Bebop won the same two 1st place awards again: best male character for Spike Spiegel; and best voice actor for Megumi Hayashibara.
Other rankings the series received are: 2nd best anime series; 6th best female character for Faye Valentine; 7th and 12th best song for "Tank!
Cowboy Bebop has been featured in several lists published by IGN. The series has been subject to study and analysis since its debut, with the main focus being on its style and mixture of genres.
Miguel Douglas, describing the series style in a review, said that "the series distinctly establishes itself outside the realm of conventional Japanese animation and instead chooses to forge its own path.
With a setting within the realm of science fiction , the series wisely offers a world that seems entirely realistic considering our present time.
Free from many of the elements that accompany science fiction in general — whether that be space aliens , giant robots , or laser guns — the series delegates itself towards presenting a world that is quite similar to our own albeit showcasing some technological advances.
Certainly not as pristine a future we would see in other series or films, Cowboy Bebop decides to deliver a future that closely reflects that of our own time.
This aspect of familiarity does wonders in terms of relating to the viewer, and it presents a world that certainly resembles our very own.
Unlike many anime titles, viewers weren't expected to have knowledge of Asian culture — character names, signs, and the like were primarily in English to begin with — or have seen any other anime series prior.
Club called Cowboy Bebop "rightly a huge hit", and listed it as a gateway series to understanding the medium of anime as a whole. It even approached its music differently.
The show kicked off with a wormhole of a theme song, and the soundtrack moves so seamlessly through genres, from rock to country to pop to jazz to funk, it's shocking to learn that one set of musicians is behind it all".
In an interview, producer Sean Akins also states that the series "created a whole new world". It changed anime.
I think people began to think about what shows would be cool. I think it redefined cool within animation, not only in Japan but in the States".
American film director, screenwriter, and producer Rian Johnson has cited Cowboy Bebop as a visual influence on his films, most notably Brick.
He states that the series is "better than most sci-fi films out there". He goes on to say that he "found this series brilliant, but what held me was a combination of strong relationship-based storytelling, a moody visual style that never got old and really smart dialogue".
After the creation of the series, an interviewer asked Watanabe if he had any plans to create more Cowboy Bebop material. Watanabe responded by saying that he does not believe that he "should just keep on making Cowboy Bebop sequels for the sake of it".
Watanabe added that ending production and "to quit while we're ahead when people still want more" is more "in keeping with the Bebop spirit".
Watanabe's answer was "someday This track was released on vinyl, and featured the return of original series composer Yoko Kanno, original recording band The Seatbelts, and a collection of forty other special guests from across the anime and gaming industries.
From Wikipedia, the free encyclopedia. Redirected from Cowboy Bebob. For other uses, see Cowboy Bebop disambiguation. Madman Entertainment.
Anime Limited. Adult Swim. Razer Kamikaze. Arts Central. Adult Swim Toonami [c]. See also: List of Cowboy Bebop episodes.
See also: List of Cowboy Bebop characters. Main article: Music of Cowboy Bebop. Main article: List of Cowboy Bebop chapters.
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In Jay Telotte; Gerald Duchovnay eds. Rian's Forum. The song is not used for the end credits in "Jupiter Jazz, Pt.
II" the song used for the end credits in "Jupiter Jazz, Pt. However, an alternate version of the song entitled "See You Space Cowboy It appears on the Cowboy Bebop Blue album as a bonus track.
Cowboy Bebop is the first album created for the series, and the most easily categorized in terms of genre, as an outlet for many of the trademark bebop tracks.
It begins with the show's theme song, "Tank! It features the end credits theme from the series, "The Real Folk Blues". Cowboy Bebop Blue is the third soundtrack album, featuring many vocal pieces including a unique variation of Ave Maria performed by Jerzy Knetig and the Warsaw Philharmonic Orchestra.
It was released on May 1, Regarding the album, AllMusic wrote: "Of the more than ten discs released in conjunction with Cowboy Bebop , Blue is undoubtedly the best, representing the widest variety of genres.
It explores styles such as country-western and Arabic music. The song "3. Cowboy Bebop Tank! The first pressing of the CD included a bonus sticker.
Scruff spoke to British magazine Impact of his remix of Cat Blues , telling Andrez Bergen that he chose it "as it was a great, old sounding tune, simple with loads of personality.
The parts were so well recorded that it was a pleasure to remix! I chopped it up into a kind of stuttering drumbox jazz wobbler".
The premise of the album is that the CD is a recording of a pirate radio station, and each song is humorously introduced by the DJ Watanabe , in English.
These tracks are called the "Radio Free Mars Talks". They are credited as follows:. Cowgirl Ed is a limited edition Mini-CD.
This single came packaged with the first pressing of Future Blues and is currently out of print. The booklet includes trivia, track listings, interviews, and lyrics.
Disks 1, 2 and 3 contain new and previously released tracks from the series, performed by Seatbelts. Disk 4 contains live tracks from Seatbelts on tour, as well as some unreleased movie tracks.
The dialogue tracks are not songs, rather, they are vocal samples taken directly from the Japanese version of the series.
It was released on June 21, , and is now out of production. The scripts for the dialogue tracks are credited to Shinichiro Watanabe and Dai Sato and the translation was done by Agnes S.
Accompanying the release of the Cowboy Bebop Remixes: Music for Freelance album and the Ask DNA maxi-single were two EPs released on inch vinyl containing a selection of material from the aforementioned albums.
The track list for the EP is below;. This EP was released through the Cowboy Bebop Japanese fanclub as promotional material in limited quantities.
It came in a plain white jacket with a sticker on the outside containing the Seatbelts logo and an advertisement for the CD release of Ask DNA.
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