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The film is an international co-production between France and Germany. Isabelle, who is secretly having an affair with Christine's boyfriend Dirk, comes up with a well-received marketing idea.

When Christine claims it as her own, Isabelle is disappointed but reconciles with her boss when Christine shares the story of how her twin sister died.

At the urging of her loyal assistant Dani, Isabelle uploads a self-made version of her ad to the web, where it goes viral. Angered at the attention Isabelle has received, Christine vows revenge, taunting her with a sex tape which Isabelle had made with Dirk.

After an angry Isabelle crashes her car in the company's parking garage, Christine shares the security footage with the rest of the company, humiliating Isabelle who spirals into a depression and begins abusing pills.

Christine tries to get Dani fired and then threatens Isabelle with a letter she typed on Isabelle's computer vowing revenge.

After Christine is found dead, Isabelle is arrested and confesses to the murder while in a drug-induced stupor. Based on her confessions, the revenge note, and fibres matching a scarf which Isabelle was seen wearing, the police charge her with murder.

However, they drop the charges when they discover someone who saw Isabelle at the ballet that night and when Dani discovers Isabelle's scarf, undamaged, in her apartment.

The police learn that Dirk, who was in the neighbourhood at the time of the murder, had been embezzling money and Christine discovered this.

When they find a bloody scarf in his car they arrest him. Eventually, it is revealed that Isabelle had murdered Christine, and set everything up to convince everyone that she was having a nervous breakdown while framing Dirk for the crime.

Dani, who is secretly in love with Isabelle, reveals that she had captured Isabelle on video at various moments during the night of the murder.

Dani then tries to blackmail Isabelle into becoming her lover. That night, Isabelle has a strange dream where she strangles Dani after being seduced by her, but not before Dani sends the video incriminating Isabelle to the investigating detective.

Suddenly, Christine's twin sister appears and strangles Isabelle from behind with a bloodstained scarf. The next moment, Isabelle wakes up in her own bedroom from her nightmare only to face a new one with Dani lying dead at the foot of her bed.

It was elaborate and some of my director friends looked at this and said, 'Come on! Get rid of that Inception thing.

Do something else I said, 'I love this Inception thing. The film was shot in Berlin. Notable landmarks included the DZ Bank building.

It's a turbulent theatrical market and we felt this was the best way to launch the film to UK audiences. The website's critical consensus reads, "For better as well as worse, Passion is vintage Brian De Palma sexploitation — although with a storyline sillier than most, it fails to generate as much heat as his steamiest work.

Robert Bell of Exclaim! Neil Young of The Hollywood Reporter reviewed the film negatively, commenting that "the impression is that De Palma is indulging himself with homages to his own Hitchcockian greatest hits, with results that veer close to self-parody on occasion and emphasize just how far this once-outstanding director's creative star has plummeted.

Brian Clark of Twitch Film published a mixed review, [25] while Ben Sachs of Chicago Reader wrote a favorable review, noting that De Palma interweaves themes such as corporate power, advertising, sexual desire, sadomasochistic relationships, and longing for love with a musicality comparable to his visual style.

From Wikipedia, the free encyclopedia. French theatrical release poster. Entertainment Weekly. Retrieved 21 March Box Office Mojo.

Retrieved 4 April Wild Bunch. What do we know? Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to An author works on a project on the subject of love, and, in the process, crosses paths with a former love in his life.

Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract During a war in an imaginary country, unscrupulous soldiers recruit poor farmers with promises of an easy and happy life.

Two of these farmers write to their wives of their exploits. On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making.

He's over budget and uninspired; the film, called "Passion," seems static and bloodless. Hanna owns the hotel where the film crew stays.

She lives with Michel, who runs a factory where he's fired Isabelle, a floor worker. Hanna and Isabelle are drawn to Jerzy, hotel maids quit to be movie extras, people ask Jerzy where the story is in his film, women disrobe, extras grope each other off camera, and Jerzy wonders why there must always be a story.

In narrative painting, a story is told by the image, either through the composition or devices such as registers or continuous narrative.

In a film, the story and image are separate and the image is usually a reenactment of the story. Jean-Luc Godard would say and has said, more or less that all art forms have an interrelationship and interchangeability.

With this philosophy in mind he used his work to try to break down film from its conceptual boundaries of the narrative.

In a sense this is a beautiful gesture, and I'm not denying this, but this manifesto-based approach to art- making leads to a lot more of explaining yourself than creating original work.

The Godard film I want to put in question is called Passion It scandalizes the film vernacular of that postmodern trope, the film within the film.

It goes behind the scenes of film-making, but the mock-film, which is also titled Passion, has no plot.

It simply recreates a few painting "masterpieces" on film with real characters, on a real scale.

Delacroix truly wanted to revolutionize narrative painting of the Romantic period in France. He was fed up with the conservatism introduced by painters like David.

So rather than painting simple, yet psychological moments in a narrative like The Death of Marat, he tried to expand the modes of depicting narrative.

The result of this effort is evident in The Entry of the Crusaders into Constantinople, completed in , at the height of his career.

Elements of story are scattered around the chaos of the historical event: a woman kneels over her fallen friend, an old man tries to protect a young woman from the crusaders on horseback, another man fights a soldier on the steps of a temple, etc.

At face value, it looks a bit like an epic painting, but it isn't. Epic paintings always have a shining moment; in Delacroix's, every moment shines in its own way.

So while Delacroix's practice wasn't necessarily interdisciplinary, it most certainly zigzagged across painting genres.

This aspect of the work is probably one of the Godard's interests in Delacroix, being that Godard was a seminal figure in the development of the shiftiest art movement to date, postmodernism.

The understanding that there are separate shining moments in both Godard's Passion and Delacroix's The Entry of the Crusaders into Constantinople is very important to the interpretation of these works.

As Jerzy, the director of Godard's film within the film said, "An image is not beautiful because it is brutal and eerie it is because the solidarity between ideas is distant and just.

This idea becomes more important as the movie progresses. The other painting-reenactments, which appear closer to the beginning of the movie, are simply still images transferred to three dimensions and then recorded on film; but when he gets to the Delacroix scene which was the most modern of the paintings and also stretched the concept of narrative the most , he is true to his philosophy.

The characters begin the scene by reenacting the sacking of Constantinople, so as to have the experience, each one on an individual level, to be able to depict it.

The action, which was being filmed, didn't even seem important to the filmmakers, in fact some of the production assistants were yelling at the actors especially the women who were pretending rather convincingly to be raped and harassed to get back into their places, as if they were supposed to be standing still.

The action became a way for the still image to fall into place on a more real level than could be composed a testament to Godard's philosophies.

So there you have it, another piece of writing about ambitious men who wanted to make their mark on civilization and if you pay attention to the gender relations in this movie, this is appropriate to mention.

There's a lot of pressure out their for the ambitious man, and he is extremely sensitive. It's a tiring job for people who are more interested in theory than something more tangible medium over message.

And so they deal in epics and ambiguity. Godard, intent on advancing the medium of film is torn between writing stories and making abstractions that somehow incorporate characters.

His answer, make a film about a filmmaker, making a film with master paintings in it. In the end, he creates a crypt filled so much with briefly explored theories which may be too much to really comprehend that it essentially becomes meaningless.

Let's face it, Godard's Passion is a puzzle, and Delacroix's The Entry of the Crusaders into Constantinople is a puzzle with historical information behind it.

I'd have to say that watching Godard's Passion was like being spoon-fed personal beliefs; not a work, but his philosophy.

But, I liked it. As an artist, it is liberating to think of what Godard proposed with his reenactment of the invasion of Constantinople.

Maybe if I get into the right groove, my work will somehow form out of a rehashing of my experiences, and I can make my experiences as exciting as a reenactment of The Entry of the Crusaders into Constantinople.

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The chance meeting awoke the old passion between them. It was this passion for fast cars that led to his untimely death at the age of Her writing is full of passion and energy.

Flames of passion swept through both of them. Strong feelings. You can also find related words, phrases, and synonyms in the topics: Passionate or passing interests.

Want to learn more? Idiom passions run high. She has two passions in life — her cats and opera. Examples of passion.

So long as man has anything natural about him, he will be more passionate about opinion than about his passions. Although he liked football, he had no burning passion for it.

From The Seattle Times. These examples are from the Cambridge English Corpus and from sources on the web.

Any opinions in the examples do not represent the opinion of the Cambridge Dictionary editors or of Cambridge University Press or its licensors.

Benefits rise in direct proportion to how much passion you put into the singing. From Huffington Post. What we love about this band is that it applies the same passion to being gross that it does to being politically active.

From NPR. When do we ever encourage children to listen to their passions? From New York Times. But it was mostly driven by his vision and passion for supporting the local community.

From MLive. She tells stories of clients who have found new passions or new careers under all that junk. From Baltimore Sun. Boats and fishing have been my passions since 5th grade.

The repercussions of their passions shape their lives. Together, passion and communication dominate the debate space.

There are so many talented artists from around the world who have a real passion for this language and who keep the tradition.

We think about things so much in common, and we have the same kind of passions. From CBS Local.

I was still too weak to feel " passion " -- to do anything more than keep living day by day. They have to have a passion for the work and for helping our clients.

From Fast Company. Translations of passion in Chinese Traditional. Need a translator? Translator tool. What is the pronunciation of passion?

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Dynamik Eifer Energie Passion sein [Leidenschaft]. Passion narrative. Passion altar. Passion cantata. Passion devotions.

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