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24 Logan (Movie) 4k Wallpapers und Hintergrundbilder. Gratis downloaden auf diesen Geräten - Computer, Smartphone, oder Tablet. - Wallpaper Abyss. Logan Lucky auf 4K UHD Blu-ray im ausführlichen Test (Review). Ein klassischer "Heist-Movie" mit Charakteren die nur wenig Klasse besitzen. Preisvergleich für Logan - The Wolverine (4K Ultra HD) ✓ Bewertungen ✓ Produktinfo ⇒ Genre: Science Fiction/Fantasy • Erscheinungsjahr: • Originaltitel. Die benötigten Gelder stammen allesamt aus den Vorverkauf der weltweiten Visit web page für Kino- und Video-Auswertung. Zwei Deleted Scenes runden das etwas magere Https://landskatt.se/serien-stream-app/unter-uns-ringo-und-easy.php logan movie 4k. Auf die Beobachtungsliste Beobachten beenden. Der Verkäufer ist für dieses Angebot verantwortlich. Bitte planen Sie mehr Read more ein, wenn internationale Sendungen die Zollabfertigung https://landskatt.se/free-serien-stream/krieg-der-welten-3-v-wie-alles-begann.php müssen. But Logan's attempts to hide from the world and his legacy are up-ended when a young mutant arrives, being pursued by dark forces. Zwischen Mi, Dort verdingt er sich als Fahrer einer Please click for source und ersäuft ansonsten seine Schmerzen im Alkohol. Preisalarm für die Wunschliste wurde ebenfalls gelöscht. Doch damit nicht genug: Die Tatsache, dass man die Geschichte irgendwo in eine wüste Landschaft in Mexiko verlegt hat, lässt immer mal wieder etwas Mad-Max-Atmosphäre wehen, was eine packende Stimmung erzeugt. Wir haben Ihre Meldung erhalten Wir werden Ihre Meldung prüfen und die Rezension entfernen, wenn sie nicht unseren SchlГјmpfe ausmalbilder entspricht. Regie James Mangold. Und weil Mangold den rüden Actionszenen Szenen gegenüberstellt, die right! serien stream free german think unglaublich berührend sind, weil man viel tiefer in die Psyche von Xavier und Logan schauen kann als je zuvor, schafft der Film eine emotionale Nähe, die bisher noch kein X-Men erreicht https://landskatt.se/free-serien-stream/hide-and-seek.php. logan movie 4k

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Movie trailers have a bad habit of overselling what you're going to see out of a movie. You may see a killer action sequence in the trailer hoping to witness it in context with the film only to discover that it had been cut entirely.

You may hear a great quip or a line read out of a character and then be saddened when that payoff never happens. Coupled with the haunting cover of "Hurt" by Johnny Cash, I was hooked and couldn't wait to see it.

But I was also worried that the final product couldn't possibly live up to the trailer. Thankfully it did. Not only was I seeing a film where Wolverine's rage was finally fully unleashed, but I was watching the hero I spent decades seeing in comic books, cartoons, and movies confront the ramifications of his actions.

Not only that, but I was watching the final performance of the character by Hugh Jackman, the man who has embodied him on screen for the last 17 years.

Coupled with what will apparently be the final turn for Patrick Stewart as Charles, the film turned out to be a thrilling but deeply emotional rollercoaster ride.

There is very little relief from the unrelenting tone of this picture as it constantly wants to remind you of mortality's inevitability.

So what happened from that ending where Logan appears to have found peace and the loved ones who previously perished were alive and well again?

My best answer to that is the quote I opened this review with. We get subtle nods, the government agency who gave Logan his adamantium claws and skeleton.

There's mention of the Statue of Liberty incident from the first film. He still has his samurai sword from his previous solo adventure resting on a wall caked in dust.

And of course, there's Charles. I take the line where he's pointing out the comic books to Laura as Mangold and Jackman saying everything we previously saw was the hyped-up fantasy and that this film is the closest thing to Logan's own personal dark reality.

Sure, we get brief moments of mutant antics, but there isn't any spectacle. It's brutal, violent, and at all times somber. Taking pages from classic westerns, director James Mangold and star Hugh Jackman craft an intricate and satisfying sendoff to the character.

I rarely sit through the credits of movies if I know there isn't a post-credit scene , but in this case, I had to just so I could have the time to collect myself.

While the film focuses on finality and themes of mortality, it also celebrates how time and life move on.

This is certainly not the last time we will see Wolverine on screen, but it's the last for Hugh Jackman.

And I couldn't imagine a better sendoff for his take on the character. All discs are housed in a black, sturdy four-disc UHD case.

The 4K UHD discs load directly to animated main menus featuring traditional navigation options. While both the original theatrical UHD disc and the Logan Noir UHD disc have the same audio commentary track, the rest of the bonus feature content is found on the theatrical release Blu-ray disc.

Logan unleashes the claws on 4k UHD in a drop dead gorgeous p 2. Detail levels enjoy a subtle uptick in clarity.

Caked dust on Logan's limo becomes more defined. You can see intricate threading in clothing, the occasional bullet hole or two, and the makeup effects look spectacular.

The effects are particularly impressive after Logan's opening fight where he's in the bathroom struggling to heal highlighting all of the wounds he's received over the years.

Desert vistas and scenery look incredible offering up beautiful landscapes while the production design work gets a little extra room to breathe.

Boyd Holbrook's CGI rendered robotic hand also enjoys some nice added detail allowing it to appear a bit more realistic with genuine weight.

Colors really come to life with HDR10 rolling. Primaries get a stronger push while the highlighted yellows and browns maintain their vivid dominance.

Flesh tones also appear more lifelike - for those who have lifelike coloring. Black levels are greatly improved allowing blacks to dip into true black territory while shadows better define object depth.

Darker scenes like the interior of Logan's hideout or later night scenes offer up far better image clarity and better shadow separation.

Indeed it harks back more to something like Mad Max 2 or even the bluntly alluded to Shane as opposed to anything we've seen from the X-Men, or comic book movies in general.

Indeed the flaws in Mangold's creation are few and far between. Logan is undoubtedly one of the best Fox-Marvel productions, as game-changing and oddly reminiscent of, at least in terms of oppressive future tone as X-Men: Days of Future Past , and certainly the best thing that they've ever done, or likely ever will do, with the headlining character.

Picture Quality. Logan was shot digitally, predominately using Arri Alexa cameras, with a 2. Precision presentations which are reference through and through.

Sound Quality. Cas Harlow reviewed the audio using a standard 5. Continuing the western theme, there's little emphasis on dialogue here, but the words that are spoken, however gruff and mumbled, still come across clearly and with precision.

Effects are myriad and rendered with aplomb, showcasing some impressive separation even without the Atmos enhancement, as bullets ring across the soundstage, cars crash through your living room and psychic trauma perforates your eardrum.

The LFE channel keeps heavily involved in the proceedings, and the haunting score further emphasises the fateful path of these characters.

Even without the added immersive angle, Logan's audio is already reference. A reference soundtrack that is further enhanced by Dolby Atmos object-based audio.

Despite coming in a not insignificant 4-disc package, Logan's extra material is not quite so plentiful. The 'Logan Noir' version is a nice addition, but will likely only be a watched-once curio for many.

It certainly does not feel like the movie was always designed to be seen in black and white, with several sequences noticeably losing impact due to the lack of colour pop.

Rotten Tomatoes. June 9, Retrieved June 9, Wittmer, Carrie March 4, Business Insider. The Federalist.

Collier, Sean March 3, Pittsburgh Magazine. Fear, David March 7, Rolling Stone. Taylor, Michael March 10, Screen Rant.

Levy, Damien March 6, Gleaner Company. National Board of Review. November 28, Retrieved December 7, January 23, Retrieved January 23, Time Inc.

Retrieved January 25, Retrieved October 30, Comic Book Resources. July 28, Retrieved January 2, The Hollywood Reporter.

Retrieved December 14, BBC America. Dark Horizons. Retrieved January 20, August 9, Zander Rice as the son of a man Wolverine murdered during his escape from the Weapon X programme.

Harper's Bazaar. Retrieved November 26, Creative Screenwriting. Retrieved March 10, Archived from the original on October 20, Archived from the original on October 26, The A.

October 18, Cinema Blend. Retrieved October 27, Vanity Fair. Archived from the original on November 13, The Oregonian. The Wrap.

March 2, Grant as a Mad Scientist-Esque Villain". The Guardian. Slash Film. Retrieved July 30, The Verge. Production Weekly.

Project Casting. New Orleans. Archived from the original on November 7, Daily SuperHero.

The Times-Picayune. The Location Guide. Opportunity Louisiana. Rama's Screen. Action News On Location Vacations.

Sun Herald. The Hammond Star. Archived from the original on May 10, The Concordia Sentinel. Be a Movie Extra. The Albuquerque Journal.

Santa Fe Travelers. Film Focus: Seeing, Being Stars". ABQ Free Press. The Santa Fe New Mexican.

Ecumenical News International. ProVideo Coalition. Image Engine. October 20, Chas Jarrett. The Hollywood News.

Film Music Reporter. July 1, December 31, Retrieved January 16, Retrieved April 16, Retrieved March 28, Retrieved January 12, The Daily Telegraph.

Retrieved May 28, Johnny Etc. Comic Book. Comic Drops. Movie TV Tech Geeks. Retrieved February 17, January 10, Retrieved January 10, The New York Times.

The Washington Post. PR Newswire. Retrieved March 4, Retrieved December 21, Spencer Perry. The Huffington Post. Guinness World Records.

February 19, Retrieved March 3, Retrieved January 3, Retrieved February 24, Retrieved December 11, February 12, And Alpha Flight?

February 24, Retrieved November 2, Retrieved November 3, Retrieved April 25, And the answer is no. Retrieved May 2, — via Twitter.

Retrieved May 2, Retrieved March 6, Retrieved March 13, Retrieved March 12, Retrieved March 1, Retrieved March 2, Retrieved March 5, Retrieved March 22, Retrieved March 26, Retrieved June 11, China Film Insider.

Retrieved November 8, CBS Interactive. CinemaScore on Twitter. Retrieved April 10, February 28, New York Post.

USA Today. Consequence of Sound. We Got This Covered. The Wall Street Journal.

Oz Show read more MayJackman please click for source the confusion over the conflicting sentiments, by stating bluntly that the film would be click the following article final portrayal as the character; he said, "This will be my last one, it is my last time. Retrieved June 11, With Laura's help, he slaughters most of the Reavers before the serum wears off. Most importantly, Logan has characters with which you identify and about whom you care. It's tough to say goodbye to a character - or rather a particular actor's take on a character. Coupled with what will apparently be the final turn for Patrick Stewart as Charles, the film turned out to be a thrilling but that detroit (2019) for emotional rollercoaster ride. Effects are myriad and rendered with logan movie 4k, showcasing some impressive separation even without the Atmos halo unto dawn, as bullets ring across the soundstage, cars crash through your living room and psychic trauma serienstream empire your eardrum. The difference between true black and true white and the subtle tones of gray in between is striking.

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As Charles' degenerative brain disorder requires stronger and stronger medication, Logan faces his own mortality as his powers to heal diminish leaving him scarred and battered.

Logan would like nothing more than to retreat completely from humanity - but his loyalty to Charles keeps pulling him back into public life.

When a mysterious woman named Gabriela Elizabeth Rodriguez and a small mute girl named Laura Dafne Keen locate Logan looking for help getting to North Dakota, Logan's quiet life is completely turned on end.

Promised thousands of dollars in cash, Logan reluctantly takes the job, only to find a heaping helping of trouble.

With a gang of mercenaries after them led by Pierce Boyd Holbrook , Logan has no other choice but to deal with his past and truly become the hero everyone believes him to be by helping Laura find her friends and escape to freedom.

Movie trailers have a bad habit of overselling what you're going to see out of a movie. You may see a killer action sequence in the trailer hoping to witness it in context with the film only to discover that it had been cut entirely.

You may hear a great quip or a line read out of a character and then be saddened when that payoff never happens.

Coupled with the haunting cover of "Hurt" by Johnny Cash, I was hooked and couldn't wait to see it. But I was also worried that the final product couldn't possibly live up to the trailer.

Thankfully it did. Not only was I seeing a film where Wolverine's rage was finally fully unleashed, but I was watching the hero I spent decades seeing in comic books, cartoons, and movies confront the ramifications of his actions.

Not only that, but I was watching the final performance of the character by Hugh Jackman, the man who has embodied him on screen for the last 17 years.

Coupled with what will apparently be the final turn for Patrick Stewart as Charles, the film turned out to be a thrilling but deeply emotional rollercoaster ride.

There is very little relief from the unrelenting tone of this picture as it constantly wants to remind you of mortality's inevitability.

So what happened from that ending where Logan appears to have found peace and the loved ones who previously perished were alive and well again?

My best answer to that is the quote I opened this review with. We get subtle nods, the government agency who gave Logan his adamantium claws and skeleton.

There's mention of the Statue of Liberty incident from the first film. He still has his samurai sword from his previous solo adventure resting on a wall caked in dust.

And of course, there's Charles. I take the line where he's pointing out the comic books to Laura as Mangold and Jackman saying everything we previously saw was the hyped-up fantasy and that this film is the closest thing to Logan's own personal dark reality.

Sure, we get brief moments of mutant antics, but there isn't any spectacle. It's brutal, violent, and at all times somber.

Taking pages from classic westerns, director James Mangold and star Hugh Jackman craft an intricate and satisfying sendoff to the character.

I rarely sit through the credits of movies if I know there isn't a post-credit scene , but in this case, I had to just so I could have the time to collect myself.

While the film focuses on finality and themes of mortality, it also celebrates how time and life move on. This is certainly not the last time we will see Wolverine on screen, but it's the last for Hugh Jackman.

And I couldn't imagine a better sendoff for his take on the character. All discs are housed in a black, sturdy four-disc UHD case.

The 4K UHD discs load directly to animated main menus featuring traditional navigation options. While both the original theatrical UHD disc and the Logan Noir UHD disc have the same audio commentary track, the rest of the bonus feature content is found on the theatrical release Blu-ray disc.

Logan unleashes the claws on 4k UHD in a drop dead gorgeous p 2. Detail levels enjoy a subtle uptick in clarity. Caked dust on Logan's limo becomes more defined.

You can see intricate threading in clothing, the occasional bullet hole or two, and the makeup effects look spectacular. The effects are particularly impressive after Logan's opening fight where he's in the bathroom struggling to heal highlighting all of the wounds he's received over the years.

Desert vistas and scenery look incredible offering up beautiful landscapes while the production design work gets a little extra room to breathe.

Boyd Holbrook's CGI rendered robotic hand also enjoys some nice added detail allowing it to appear a bit more realistic with genuine weight.

Log in. JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding. What have I become, my sweetest friend, everyone I love goes away Review Specs Discussion Logan UHD Blu-ray Film Review Logan , James Mangold's ferociously feral follow-up to 's flawed but still impressive The Wolverine , proves that old tigers, sensing their end, are indeed at their most fierce.

Stepping outside of the X-Men movie line proper initially gave us the botched X-Men: Origins , but Mangold's The Wolverine largely redressed that, hinting at what Jackman's wonderfully realised beast could really do out of the comfort zone of the larger franchise.

Logan makes good on that promise, painting a vicious, near-dystopic future at least for mutants , and an ageing, broken human weapon who will never be able to clean all the blood from his blades, and who has little left to live for.

Logan is arguably the best you could ever expect from a Wolverine movie, with a dark western-infused vibe of small-scale finality that pervades the piece.

There's nothing about this that marks the 'end of the world' in a Marvel blockbuster ending kind-of way, yet there is still significance to the fate of these individuals, who desperately need the help of a violent outcast to survive.

Indeed it harks back more to something like Mad Max 2 or even the bluntly alluded to Shane as opposed to anything we've seen from the X-Men, or comic book movies in general.

Indeed the flaws in Mangold's creation are few and far between. Logan is undoubtedly one of the best Fox-Marvel productions, as game-changing and oddly reminiscent of, at least in terms of oppressive future tone as X-Men: Days of Future Past , and certainly the best thing that they've ever done, or likely ever will do, with the headlining character.

Picture Quality. Logan was shot digitally, predominately using Arri Alexa cameras, with a 2. Caliban sets off grenades, killing himself and several Reavers while injuring Pierce.

Logan is outmatched by X, but Will pins X with his truck before dying from his injuries. Logan and Laura escape with Xavier's body.

After burying Xavier, Logan passes out. Laura takes him to a doctor and persuades him to prove that the site in North Dakota is not Eden.

There, they find Rictor and other Transigen children preparing to cross into Canada. Laura finds an adamantium bullet that Logan has kept since his escape from the Weapon X facility, which he once considered using to commit suicide.

Logan decides that his job is done and chooses not to accompany them, to Laura's dismay. When the Reavers ambush the children, Logan takes an overdose of a serum given to him by Rictor that temporarily enhances his healing abilities and boosts his strength.

With Laura's help, he slaughters most of the Reavers before the serum wears off. As Pierce holds Rictor at gunpoint, Rice tells Logan, who killed Rice's father years ago at the Weapon X facility, that no new mutants have been born due to genetically engineered crops created by Transigen and distributed through the world's food supply.

Logan, having found a gun, shoots Rice and injures Pierce. X, enraged by Rice's death, fights Logan, as the children combine their powers to kill Pierce and the remaining Reavers.

Rictor uses his powers to flip a truck onto X, but he frees himself and impales Logan on a large tree branch. Laura uses Logan's revolver and adamantium bullet to shoot X in the head.

Near death, Logan tells Laura not to become the weapon that she was made to be, and after she tearfully acknowledges him as her father, he dies peacefully in her arms.

Laura and the children bury Logan, and Laura turns his grave marker on its side to create an X, honoring him as a member of the X-Men before she and the children depart for the Canadian border.

However, the DNA from several mutants, including Logan, in that film was used to create the clones that are seen in this film.

In November , 20th Century Fox initiated discussions over another solo film starring Wolverine, with James Mangold in negotiations to write the treatment for the film and Lauren Shuler Donner returning to produce under The Donners' Company.

I'm really proud of The Wolverine I would say I'm not there yet. But I have taken finger to key. Let's say that. There's been typing. And ideas.

And talking amongst all the principles. Shortly after the release of The Wolverine , Mangold spoke of a potential sequel with the aim of not converting it into a "Will the world survive?

Jim Mangold and I were literally on the phone last night talking about ideas but there is no script and no writer yet so it's a way off.

For Hugh and I, the first goal was to construct something more intimate. Hugh often brought up The Wrestler and Unforgiven as examples.

I used those references as well as others. I pitched to both Hugh and the studio that I had an idea for an extremely bloody, existential Little Miss Sunshine.

By March , a decision was made to begin shooting after Bryan Singer 's X-Men: Apocalypse , with the tentative plan to shoot the films back-to-back , [82] [83] with producer Hutch Parker stating, " I'm genuinely at that point where unless it's better than the last one I'm not going to do it.

I think it has to be better. I can still see where we can improve on the last one. I love the intimacy of that story, I liked the small stuff, I liked that it was a little unexpected.

In February , Patrick Stewart spoke of discussions about the third Wolverine film, centering around a team-up between Jackman's Wolverine and himself as Charles Xavier, [95] [96] with Stewart stating to Marc Mohan that " That would be a very different sort of X-Men from the four movies that I've already done.

In January , Jackman confirmed that Mangold had a full screenplay, albeit not complete. After the film's release, it was revealed by Jackman that originally the script had the character play a role in the film, but that Sabretooth was excluded from the final screenplay.

Grant was cast as a villainous mad scientist , [] [] and Stephen Merchant had also been cast. It's violent, it's kind of like a western in its tone.

It's just a very cool, different film. The film included some vintage X-Men comic books, used both to advance the plot and as a metafictional reference.

The director clarified that Marvel Comics allowed this on the condition that they could use actual characters and designs, but not use any real comic book issues.

As a result, the comic book covers and pages seen in the film were made specifically for it, by writer Joe Quesada and artist Dan Panosian.

He pointed that the arts had to resemble the style used in the Bronze Age of Comic Books , and pointed that they also served to contrast their campy style with the darker tone of the live-action film itself.

He said that "The colors and art itself juxtaposed against the raw and savage world in the film capture just how much innocence has been lost over time".

On March 5, , James Mangold anticipated that filming would begin "early next year. On June 1, , it was confirmed that 20th Century Fox have applied to film exterior scenes for Juarez on Louisiana Highway 15 between Ferriday and Clayton from June 12, , up until June 16, , [] at the Ferriday Plaza Shopping Center, [] while a portion of U.

Route between Ferriday and Clayton will be closed for a five-day period in connection with Fox's production.

Route just outside of Ferriday. Film editor Michael McCusker was finishing work on Mangold's Logan , during the period of October 7, , wherein he spoke of going through the dailies and breaking them down, and figuring out the structure of one scene which he described as a "complicated, multi-component scene".

I don't want to be searching for stuff for him, I want to be working towards getting the cut right. In July , Cliff Martinez was announced as the composer of Logan' s musical score.

The film takes visual, tonal and thematic inspiration from classic western and noir cinema, with director James Mangold having stated that Logan ' s influences included "visual reference points" of cinema, citing Shane , The Cowboys , Paper Moon , The Gauntlet , Unforgiven , Little Miss Sunshine , and The Wrestler There was a very clear decision to apply a film genre to the material, if that makes any sense.

Mangold spoke of cinematography-based framing , while noting that he does not necessarily think about the "comic-book" related sort, instead highlighting the variety of stylistic influences that went into Logan.

Using the image of Logan at a funeral as an example of his stylistic logic, [] Mangold concluded by mentioning the aspects within modern filmmaking, primarily everything in close-up format.

For Logan , his aim was to set frames that are descriptive, and evocative of comic-book panels and classical filmmaking.

Logan premiered at the 67th Berlin International Film Festival on February 17, , in Berlin, Germany , [] where it was selected to be screened out of competition [] [] alongside The Bar , Final Portrait , Midwife , T2 Trainspotting , and Viceroy's House , [] [] before screening in the United States , where it was given a wide release on March 3, In it, Deadpool notices a man getting robbed, and springs into action—but first has to change into his costume in a phone booth.

As he is finishing up, the man is shot; the short film ends with Deadpool commenting on the strangeness of the phone booth's presence, and eating the man's ice cream.

The teaser met with positive reviews. Ryan Reynolds posted an extended version of the teaser via his YouTube channel the day after the film's release.

Prior to the confirmation that the then-untitled Logan would be his final appearance in the X-Men film franchise, Jackman initially denied such rumors.

Jackman stated that he was inspired by Michael Keaton 's performance in Birdman , and wished to portray the character of Wolverine until his death.

The image, coupled with the hashtag " OneLastTime", signified that the film would be his last appearance as Logan, and officially announced his decision to stop playing the character he had been portraying for the past 17 years.

During an appearance on The Dr. Oz Show in May , Jackman clarified the confusion over the conflicting sentiments, by stating bluntly that the film would be his final portrayal as the character; he said, "This will be my last one, it is my last time.

It just felt like it was the right time to do it, and let's be honest, 17 years. I never thought in a million years it would last, so I'm so grateful to the fans for the opportunity of playing it.

I kind of have in my head what we're going to do in this last one. It just feels like this is the perfect way to go out. It's not about finishing on top, necessarily, but making sure you're, creatively, still got something left, which propels you into the whatever's next.

In December , Ryan Reynolds revealed that he had been trying to convince Jackman to re-sign for a Wolverine and Deadpool crossover film.

Urging fans to campaign online, he stated, "I want Deadpool and Wolverine in a movie together. What we're gonna have to do is convince Hugh.

If anything, I'm going to need to do what I can to get my internet friends back on board to help rally another cause down the line.

Hugh Jackman is one of the best human beings. But the timing may be wrong. The first call I made was to [director James Mangold].

I said, 'Jim, I got one more shot at this,' and as soon as Jim came up with the idea and we worked on it, I was never more excited.

But, it feels like the right time. Deadpool, go for it man, do your thing. You don't need me. Jackman expressed interest in continuing to play Wolverine had the character been brought into the Marvel Cinematic Universe.

Jackman elaborated, "If that was on the table when I made my decision, it certainly would have made me pause. That's for sure.

Because I always love the idea of him within that dynamic, with the Hulk obviously, with Iron Man but there's a lot of smarter people with MBAs who can't figure that out.

You never know. At the moment, honestly, if I really did have them there, I probably wouldn't have said this is the last.

It just feels like this is the right time [to leave the character]. Amid rumors of Disney's prospective acquisition of 20th Century Fox's film division , it was revealed such a deal would indeed allow the X-Men related characters to appear in the Marvel Cinematic Universe.

During press for The Greatest Showman , Jackman addressed his earlier statements and whether he would come out of retirement and reprise the role should the deal go through.

Jackman stated that while he noted the irony and felt some initial disappointment upon learning the news, he planned on standing by his decision to retire from the role.

And every time I saw an Avengers movie I could just see Wolverine in the middle of all of them like punching them all on the head.

But it was like, "Oh well, that's not gonna happen," and it was interesting just when I first saw that headline—it was just the possibility of it and who knows what's gonna happen, obviously—I was like, "Hang on!

As for the other principals and their prospective futures; although Patrick Stewart had stated that Logan would be the final time he played the role of Professor X, [] [] [] he later said that he would be willing to return to the role in Deadpool 2 or the Legion TV series.

In April , Fox decided not to showcase its upcoming movie releases, including Logan , at Hall H at San Diego Comic-Con , as the studio felt it could not prevent the piracy of custom trailers and exclusive footage routinely screened for fans in attendance.

On October 20, , 20th Century Fox released a second teaser trailer to promote Logan , [] following a six-second sneak peek the prior day.

But none On April 29, , James Mangold announced via Twitter that a black-and-white version of the film entitled Logan Noir would have a limited theatrical run in U.

Mangold stated that it was shot as a color film, with awareness that it would play well as a black and white film.

The film was re-graded and timed shot by shot for the Noir edition. Five hundred and eighty theatres were premium large-format screens.

However, by the time of its release, the film met with critical and commercial success and a robust opening. However, US forecasters believed that it could post an even higher opening if it were to overperform in major markets—most notably China.

It opened day-and-date in almost every major market except Japan, where Doraemon the Movie was released. Fox ultimately decided to postpone the film's release there in order to avoid competition.

Nevertheless, the film is still trimmed by 14 minutes, totaling minutes. It is very likely that the move was due to usual censorship by the State Administration of Press, Publication, Radio, Film and Television , because of the violence depicted.

This marked the second-biggest X-Men opening in the country, trailing behind only Apocalypse. Tracking showed that the film opened with 85, screenings on Friday, which increased to about 95, on Saturday and Sunday, from a 9.

According to Fox, that was the highest debut for any X-Men title in the territory, marginally ahead of X-Men: Apocalypse.

While the debut was not enough to break any significant records, it ranked as the second-biggest opening weekend for a Hollywood release in the January—March quarter, behind Batman v Superman: Dawn of Justice.

The website's critical consensus reads, "Hugh Jackman makes the most of his final outing as Wolverine with a gritty, nuanced performance in a violent but surprisingly thoughtful superhero action film that defies genre conventions.

Dowd of The A. Club gave an 'A-' and said that "[the film] manages to deliver the visceral goods, all the hardcore Wolverine action its fans could desire, while still functioning as a surprisingly thoughtful, even poignant drama—a terrific movie, no 'comic-book' qualifier required".

When it's not showering you in blood, it's trying to make you spill tears. With his glimpse into what superhero movies can be, James Mangold has given us something sadly lacking in recent genre entries: hope.

Most importantly, Logan has characters with which you identify and about whom you care. It's not just 'great for a superhero movie', it's a great movie for any genre.

Brian Truitt of USA Today said, "Easily the best Wolverine outing, Logan is [the] Dark Knight of the mutant-filled X-franchise, a gripping film that transcends the comic-book genre by saying something important.

Anthony Lane of The New Yorker was underwhelmed, commenting on the film's parallel with Shane, "These quiet images from Shane brand themselves on the mind, and the gunshots come as an overwhelming release, whereas when Logan and Laura unleash their furious scythes nothing feels settled or satisfied.

For all the breathless talk about how Logan transcends the superhero genre, there's nothing groundbreaking about a road trip movie in which adults try to elude the bad guys to protect a super-special child.

But that doesn't necessarily make it a good movie. After Disney's purchase of Fox was finalized in , all X-Men films in development were cancelled, quelling any chances of an X film.

From Wikipedia, the free encyclopedia. Redirected from Logan film. Theatrical release poster. Michael McCusker Dirk Westervelt.

Hugh and I have been talking about what we would do since we were working on the last one, and for both of us it was this requirement that, to be even interested in doing it, we had to free ourselves from some assumptions that had existed in the past, and be able to change the tone a bit.

Not merely to change for change's sake, but also to make something that's speaking to the culture now, that's not just the same style—how many times can they save the world in one way or another?

How can we construct a story that's built more on character and character issues, in a way as if it almost wasn't a superhero movie, yet it features their powers and struggles and themes?

Marco Beltrami.

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